摘要
《文艺风景》是1934年施蛰存在上海创办的一份倡导纯文学创作的小型文学杂志,仅出版两期。在对"纯文学"的理解上,《文艺风景》采取与左翼文艺阵营相对立的主张,但施蛰存同时并不规避选用左翼作家的稿件,因为他更看重文学作品的审美内涵。这一审美取向突出反映在该刊登载的文学作品中:首先,在诗歌的创作和译介方面尤为注重艺术本体价值;其次,在提倡文学自由和关注社会现实的矛盾之间作着积极的努力,企图为纯文学生存挣扎出一些自由空间;最后,编者在编辑取向上既想与完全商业化的媚俗文学相区别,又想继续追求新异。相比于《现代》所取得的突出成就,《文艺风景》不过是一个特立独行的"小角色",但也展现了其自身及周围的"别样风景"。
Literary Scenery was a small-scale literary magazine founded by Shi Zhecun in Shanghai in 1934 to advocate pure literary creation,and only two issues were published.In the understanding of "pure literature",Literary Scenery took the opposite stance against the left-wing literary camp,but it did not reject the left-wing writers,because Shi Zhecun placed a higher value on aesthetic connotation,which was highlighted in the works published on this magazine:firstly,the magazine focused on the value of art ontology in the creation and translation of poetry;secondly,it strove for the survival of pure literature when making its proposals for literary freedom and in the meanwhile showing concern for social reality;lastly,the editor wanted to distinguish the magazine from fully commercialized kitsch,and pursue novelty.Compared with the outstanding achievements of Les Contemporain,Literary scenery was just a maverick "little character",but it presented a "special scenery" of itself and its surroundings.
作者
彭剑冰
袁向东
PENG Jian-bing;YUAN Xiang-dong(Guangdong Polytechnic Normal University,Guangzhou Guangdong 510665)
出处
《广东技术师范大学学报》
2021年第2期41-47,共7页
Journal of Guangdong Polytechnic Normal University
关键词
施蛰存
《文艺风景》
《现代》
光华书局
纯文学
Shi Zhecun
Literary Scenery
Les Contemporain
Guanghua bookstore
pure literature
