摘要
孟浩然由于其独特的人生经历 ,继承了陶诗返朴归真的文化内涵 ,但同时其诗在田园主题、田园景色的实质及创作手法等方面又表现出明显的差异 ,呈现了田园诗模式的时代转换。这种转换意味着山水田园之美与个性自由。
Meng Haoran inherits the culrural intension on returning to the original putity and simplicity of Tao’s poems ,because Of his particular life experience.At the same time his poems behave the evident difference in the aspects of pastoral theme,pastoral scenery's essential and composed methods,unfolding aging transition of pastoral poem’s mode. This implies the consolidarion of the landscape countryside’s beauty and free andeasy cultural spirit of Prosperous Tang Dynasty.
出处
《阜阳师范学院学报（社会科学版）》
2004年第3期49-50,73,共3页
Journal of Fuyang Normal University：Social Science Edition
关键词
田园诗
返朴归真
闲适高洁
文化
Pastoral poems: Return to the original purity and simplicity
Quiet and nobleness
CultureI
