摘要
由于坚、韩东为代表的口语诗歌写作,注重日常性,拒绝伪抒情,曾经推动了当代诗歌的发展,但是成为主流的"口语写作"也出现了书写的中心化倾向,背离了诗歌艺术的艺术指涉,渐渐远离了诗歌本体所追求的文学性、内歌唱、经典性。
Oral poem writing represented by Yu Jian and Han Dong paid attention to daily life and refused fake emotions.Though it had once contributed to the development of contemporary poetry,it gradually tended to be writing-oriented,deviated from the artistic definition of poetic art,and thus was distanced from the intention of poetry of trying to be literal,inner-lyric,and classic.
出处
《广西民族大学学报（哲学社会科学版）》
CSSCI
北大核心
2009年第1期149-152,共4页
JOURNAL OF GUANGXI MINZU UNIVERSITY:PHILOSOPHY AND SOCIAL SCIENCE EDITION
关键词
书写
文学性
内歌唱
诗歌
writing
literariness
inner-lyricism
poem
