摘要
中国古代的审美形态具有鲜明的中国特色,是中国古人的审美经验、审美情趣、文化传统和人生境界的积淀。中和是中国最早成熟的审美形态,是中国古代最重要的审美形态之一,其后所有的审美形态都离不开中和这一纬度,深深地烙上中和的印迹。在“中和”中,中是前提,和是结果,中是核心,和是必然,有中必有和,非中不能和,中是衡量和的尺度。“中”即适中、和度、适度,即两个或两个以上的因素之间的平衡,也就是合二为一,即“执两中用”,是在矛盾双方中不走极端。中和的审美特征有三:和谐,多样的共存,哲学基础是天人合一。
Ancient Chinese aesthetic patterns have clear Chinese features. They are the accumulation of aesthetic experiences, tastes, cultural tradition and life realm of the ancient Chinese people. Moderation and harmony are the earliest mature and important aesthetic pattern, from whose impact no later patterns could escape. In this pattern, 'moderation' is the premise and the core, while harmony is the sure consequence. Moderation will eventually lead to harmony, and without moderation harmony is impossible. Moderation is the measure against which harmony is gauged. Moderation is the quality of being reasonable and appropriate (not being extreme), or the balance or union of two or more elements. This pattern possesses three characteristics: harmony, coexistence of variety, and the union of man and universe.
出处
《玉溪师范学院学报》
2007年第2期25-31,共7页
Journal of Yuxi Normal University
关键词
中和
审美形态
天人合一
孔子
moderation and harmony
the union of man and universe
Confucius
