摘要
艾青在上世纪 30年代的诗歌创作中“奉灵感为至圣” ,写出了很多富有魅力的佳作。他的灵感有三种类型 :定向涌流 ;感物触怀 ;彼此重合 ,都属对题材的“二次处理”。但在 4 0年代和 5 0年代 ,他的灵感失落 ,只凭“一次处理”写诗 ,创作陷入低谷。改革开放后 ,沉默多年的艾青重返诗坛 ,灵感回归 ,诗歌创作达到新高峰。
Inspiration must be considered as emperor” is the main principle was the poetic writing of Ai Qing in the 1930s, and he wrote a lot of attractive works on this. His inspiration can be divided into 3 types — gushing directionally, sparking with something, including each other. All of these are parts of “double handling”. But during the 1940s and 1950s, he only wrote by “single handing” for his inspiration was lost. So his writing lowered. His writing reached a new high level after the refomation.
出处
《山东师范大学学报（人文社会科学版）》
北大核心
2003年第4期39-43,共5页
Journal of Shandong Normal University(Humanities and Social Sciences)
关键词
艾青
灵感
一次处理
二次处理
Ai Qing
inspiration
single handing
double handling
