摘要
佛学本体论与美学本体论的逻辑起点不是依托于一元性本体 ,而是植根于“主客观统一”的二元合一关系中。作为佛学本体论的缘起说 ,其最根本的缘起就是心物二元的并生共起 ;而最符合美学特殊性的本体论 ,也是“美在主观与客观的统一”说。这“二学”的本体论之所以具有“二元合一”的“共相”,乃是因为它们都强调“感性”。
The logical starting point of the ontology of buddhism and aesthetics doesn't rely on the monistic ontology, but on the unified relation that converges on the duality of subjects and objects. The GENESES, as Buddhism ontology, in which the basic genesis is the happening of HEART and WORLD at the same time.The ontology in accord with the particularity of aesthetics is that the BEAUTY comes from the unifing converged by subjects and objects. The resean for which both of them have the same form of “two in one” is that they both stress SENSE.This same form is the basis on which Buddhism and aesthetics set the affinity.
出处
《安徽职业技术学院学报》
2004年第1期49-52,共4页
Journal of Anhui Vocational & Technical College
关键词
佛教
美学
本体论
感性
buddhism
aesthetics
ontology
sense
