摘要
由原始人的自身生产所决定的生殖崇拜,它的物化形象就是最早的人口文艺作品。人口文艺源于原始生殖崇拜,在我国主要表现为三种形式:即中原新石器时代仰韶文化的鱼、蛙生殖崇拜反映的人口文艺;东部及东南沿海地区新石器时代河姆渡文化和大汶口文化的龙(蛇)、凤(鸟)生殖崇拜反映的人口文艺;东部近勃海红山文化晚期大型祭祀遗址孕体女神崇拜反映的人口文艺。这种原始生殖崇拜和人口文艺出现于原始母系社会早期,但其观念文化并不与原始社会相终结。
Ancient reproduction worship determined by primitive men's reproduction is expressed in population art. Population art, originating from ancient reproduction worship, is expressed in three modes: that expressed in the form of fish and frog in Yangshao culture in the Neolithic Period; that expressed in dragon and phoenix in Hemudu culture and Dawenkou culture in east and southeast coastal China; that expressed in the form of pregnant goddess in the late period of Hongshan culture in the area adjoining Bohai Sea in east China.
出处
《中南民族大学学报（人文社会科学版）》
CSSCI
北大核心
2004年第4期68-71,共4页
Journal of South-Central Minzu University (Humanities and Social Sciences)
