摘要
《牛郎织女》的产生跟周、秦民族的交融密不可分,《史记·秦本纪》、秦简和汉末魏初的《三辅黄图》都说明这一点,现存于西安附近的西汉牵牛织女石像更是证据。庾信《尉迟氏墓志铭》中的织女庙当在西安至陇东、南一带。由于特殊的历史背景,牵牛(牛郎)、织女的祠庙、纪念地被遗忘或变为同董永故事相关的祠庙。从陇东的乞巧风俗看,牛女传说和相关风俗在这一带长久流传,陕西很多县的乞巧风俗同陇东的相近。古代陇右、陕西中部一带的诗人也都有大量的咏七夕和牵牛织女的作品。
The Cowherd and The Girl Weaver comes into being with an inseparable relation to the fact that Zhou people mingled with Qin People.The Qin Ji of Historical Records,Bamboo Slips of the Qin Dynasty and Sansuke Yellow Map of the end of Han Dynasty and the early Wei Dynasty can illustrate the above viewpoint,and the stone portrait of a girl weaver leading a cow/an ox in Xi Han Dynasty around Xi'an even is evidence.The Girl Weaver Temple recorded in Epitaph of Weichi's Family by Yu Xin should be located in the area from Xi 'an to Longdong and Longxi.Because of the special historical background,the temples of Qianniu(The Cowherd)and The Girl Weaver were gradually forgotten or became the temples that related to the legend of Dongyong.Seeing from the Double-Seventh Day folklore in Longdong,the Legend of Niunv and the relative folklore have been dis- seminated in this area for a long time.This sort of folklore at many counties of Shanxi is similar to the one of Long- dong region.In the ancient times,there were great many works by the poets on the chant to the Double-Seventh Day and The Cowherd and The Girl Weaver in Longyou and central Shanxi.
出处
《文化遗产》
2007年第1期95-102,共8页
Cultural Heritage
关键词
牛郎织女
周文化
秦文化
乞巧民俗
The Cowherd and The Girl Weaver
Qianniu
Zhou Culture
Qin Culture
Double-Seventh Day
Folklore
Popular Legends
