摘要
“层深而浑成”是前人对欧阳修《蝶恋花》一词艺术特点的评论。实际上,在欧阳修词中,甚至其他北宋前期词人的作品中,“层深而浑成”已经突破了单纯的风格学意义,成为结构歌词的一种模式。此类歌词的特点是每片由几个层次构成,各个层次之间相互关联并呈现出逐层递进的逻辑形式,而贯穿其间的则是连续不断的意脉;“情景齐到,相间相融”是其标志,层次的深入和意境的浑成自然是其最高标准,代表性词人为欧阳修。
Ouyang Xiu's “Butterflies over Flowers”was criticized as “profound arrangement and sophisticated artistic conception” in artistic character .In fact, in his lyrics and other lyricists 'in Ex-period of north Song Dynasty,“profound arrangement and sophisticated artistic conception”has broken through the meaning of pure style and become a pattern of lyric structure mode. The lyric mode is characterized by profound arrangements, which is consisted of several layers, associated and goes farther in meaning in these layers. With continuous artistic conception and skeleton impenetrateing through them, the symbol of such lyrics is that passion and scene are present and in harmony, whose tiptop criterion are profound arrangement and sophisticated artistic conception, Ouyang xiu was such a representative lyricist.
出处
《内蒙古财经学院学报（综合版）》
2005年第3期78-80,共3页
Journal of inner Mongolia finance and economics college
关键词
欧阳修
"层深而浑成"
词体结构
层次
Ouyang xiu “profound arrangement and sophisticated artistic conception” lyric structure mode layers
