摘要
本文以文本分析方法,从四位中国母亲在旧中国的不幸遭遇,及其萌发对旧中国父权制强权对抗的觉醒意识,到四位美籍亚裔女儿在各自母亲的提携教导下在美国不同生活经历中对美国式父权制压迫的觉醒反抗意识,从祖孙三代人跨时间跨国界所遭遇的不幸中提出对各种形式父权制压迫的觉醒意识的继承性,三个方面对《喜福会》中女性角色进行反思:女性争取平等,反抗父权制压迫的斗争不分国籍,不分年龄段,从19世纪初到20世纪80年代,从未停止过。
From textually reflecting upon the feminist spirits hidden on the female characters in the hit film The Joy Luck Club from three aspects---first-generation Chinese mothers’ awakening consciousness of patriarchy oppression in old China, second-generation American daughters’ fighting against various hegemonies in America, the inheritance of the three generations’ continuous feminism, a conclusion is drawn that the fight against all kinds of patriarchy hegemonies have never stopped literally regardless of time and nationality.
出处
《吉林艺术学院学报》
2012年第5期45-49,共5页
Journal of Jilin University of Arts
