摘要
“巫”的文化遗传基因形成了中国传统戏曲脸谱的“非人化”、“反自然”的仪式性形式主义。20世纪中国戏剧现代化的过程也就是消解脸谱、追求真实、争取人的个性立于舞台的历史。中国现代戏剧的发展受政治文化生态的制约,故而脸谱有其消解—重构—再消解—再重构的曲折复杂的演化过程。
The cultural genetic factor of the shamanism has become a kind of the ritual formalism of Chinese traditional opera face-painting. Its characteristics are: non-humanization and anti-nature. The process of modernization oi Chinese traditional opera is a history of that:de-construct face-painting, seek reality, and express human personalities. The development of Chinese modern theatre is restricted by its political and cultural environment, so, face-painting's evolution has its complicated process: deconstruction-reconstruction-re-deconstruction-re-reconstruction.
出处
《戏剧艺术》
CSSCI
北大核心
1999年第6期4-13,共10页
Theatre Arts
