摘要
本文探讨了新时期戏剧界对布莱希特戏剧理论的解读。通过对这一时期戏剧文化及其背景的分析,作者着重指出了对布莱希特戏剧美学的五个方面的“误读”或偏激的理解,进而对中国现代文化中经常出现的典型“认知范式”进行了反思和批判。
This article focuses on the misreading of Brechtian theatre theory in the 'New Period 'in China. In emphasizing the context of the special theatre, the author argue that Brechtian theatre model served as an instrument of form innovation and of deconstruction of realism. Based on the misunderstanding, there were, according to the author, five trends about Brechtian theatre that should be reconsided. Morever, all misreading of Brechtian theatre has to do with a radical episteme in modern cluture of China.
出处
《戏剧艺术》
CSSCI
北大核心
1998年第4期42-56,共15页
Theatre Arts
