摘要
本文认为吴承恩确实不像是百四本小说《西游记》的作者，其书原本可能出自端王朱观时期的鲁王府。《西游记》的写定者主观上想通过塑造孙悟空等艺术形象来宣扬“三教合一”化了的心学，但孙悟空在客观上成了有个性、有理想、有能力的人性美的象征，全书不自觉的赞颂了一种与明代中后期的文化思潮相合拍的追求个性和自由的精神。
This essay tells us that Wu Cheng'en didn't look like the real author of the novel 'The Journey to the West' with one hundred chapters. The novel was,perhaps, found in Prince Lu's Mansion in Prince Duan's (Zhu Guanding)Period. Subjectively, the author of 'The Journey to the West' wanted to give publicity to the philosophy of the mind with 'the union of the three religions'. Objectively, however, Sun Wu-K'ung(The Monkey King) Was portrayed as the embodiment of the beauty of human nature with personality, ideal and of great abilities. The novel has thus unconsciously sung the praises of the spirit of pursuing personality and freedom, which was in step with the trend of cultural thought in the middle and the end of the Ming Dynasty.
出处
《复旦学报（社会科学版）》
CSSCI
北大核心
1998年第2期78-84,142,共8页
Fudan Journal（Social Sciences）
