摘要
巴赫金的理论成就之所以能对２０世纪的西方文学批评理论产生重大影响，除了其“复调小说理论”和“狂欢化诗学”等理论之外，更主要的是他在文学批评思维方式上的创新。他对世界的独特的哲学认识和超语言学的研究方法，使得他在研究陀思妥耶夫斯基的创作等文学现象时，采取了独特的对话语境批评方法。他事实上早已解决了当代西方文学批评中提出的“语言表征危机”和解构主义的自我解构等问题，探索出了一条融中西方文学批评特征于一体的新型的对话式批评途径。
Abstract This paper firstly analyses the critique of discoursal context set up by Bakhtin, asserting that this new model of critical thinking blazes a new trail against the conventional way of literary critique. The author also pinpoints that the conventional way of conducting literary critique is largely to apply the scientific paradigm to the analysis of the phenomena of literary arts with a view to obtaining the determinacy of the explanation of arts phenomena. This totally runs counter to the characteristics inhering in literary arts. The critique of discoursal context employs the paradigm of artistic thinking in its analysis and is characterized by indeterminacy,incompleteness and discoursality. Incorporating the main features of literary critique, the new model lays the groundwork for the development of a new paradigm for the literary critique enterprise and represents the future direction in this field.
出处
《解放军外国语学院学报》
CSSCI
1999年第1期3-6,1,共5页
Journal of PLA University of Foreign Languages
