摘要
李準的《黄河东流去》具有乡村叙事话语三元交融的特征:一方面,它的叙事框架仍然是对经典革命现实主义文学的承继;另一方面,小说还与时俱进地渗透着鲜明的启蒙意识,具有启蒙叙事的特征;第三方面,由于作家在写作中尊重生活、贴近泥土,因此它又具有民间叙事话语的特征。对这一话语特质的发现,有助于理解转折时期文学叙事话语的渐变性,它本质上是由转折时代的政治文化决定的,是多元的社会意识的产物。
Yellow River Flows Eastward by Li Zhun has the characteristics of ternary mergence of rural discourse narration.On the one hand,its narration frame is still the succession of classic revolutionary realist literature.On the other hand,the novel is also permeated with striking consciousness of enlightenment,with the characteristics of enlightenment narration.Thirdly,as the writer shows respect for life,the novel takes some features of folk narration discourse.The discovery of the discourse property is helpful to the understanding of the gradual change of narration discourse in turning period,which is essentially determined by political culture in the turning age and is the product of multi-social consciousness.
出处
《长江师范学院学报》
2013年第4期21-25,134,共6页
Journal of Yangtze Normal University
关键词
李準
《黄河东流去》
乡村叙事话语
三元交融
Li Zhun
Yellow River Flows Eastward
rural narration discourse
ternary mergence
