摘要
高桩彩绘是四川省乐山市夹江县特有的一种传统民间造型表演艺术,是巴蜀文化大花园中的一朵奇葩。由清代的“平台”、“地会”逐步演变而来,不仅符合力学原理,而且集惊、险、奇、巧、美为一体。经过人民群众上百年的发展创新,使传统戏曲、杂技艺术与现代声、光、电、控新技术巧妙结合,将戏剧情节中的精彩场面,由真人表演定型为立体画面伫立于空中,既神秘又真实,静中有动。动中有静,如诗如画,古朴纯美,深受人们的喜爱。“高桩彩绘”造型内容取材于中国传统戏剧、历史小说中的精彩场面。如《白蛇传》一剧中的“水漫金山”、“船舟借伞”、“断桥”、“盗灵芝”;《水浒传》中的“十字坡”;《封神榜》中的“哪咤闹海”;《说岳全传》中的“朱仙镇”等。
Platform Colored Drawing is a traditional local performance originated from the 'platform' and local 'fair' in the Qing dynasty. The performance, observing the rules of mechanics and integrating traditional arts of opera, acrobatics with modem acoustic, optic, electric and cybemetic technologies, is breathtaking, fascinating and has been very popular for a hundred years for its truely mysteriousness. 'The platform is carried either by men or by a truck to the crowded center of a city or town for performances. The performance is a particular welcome in times of celebrations and is regarded as noble recreation in Jiajiang County.
出处
《中国西部》
1996年第2期24-25,共2页
Western China
