摘要
田中一光是对日本乃至世界平面设计界影响深远的设计大师,他的平面设计画面元素编排巧妙,力求减去多余元素,加深"虚白"部分的想象空间,使画面透出一种讲求"减法"的寂之美。分析其减法设计意味的形成及源流,必将为现代设计语言民族化提供良好的参考,也对当代本土平面设计缺乏独立风格的现状提供了借镜之道。
Tanaka Ikko is a design master with a profound impact on the graphic design industry in Japan and even around the world. In his design, he’s chasing for the ingenious arrangement in elements, striving to subtract redundant elements, and deepening the space to imagine for Virtual White, leading to the wabisabi beauty of emphasizing subtraction. By analyzing the formation and origin of subtraction design’s implications, we could provide excellent reference for the nationalization process of modern design language and the solution for current situation on deficiency of independent style in contemporary graphic design in China.
出处
《佳木斯教育学院学报》
2013年第12期82-83,共2页
Journal of Jiamusi Education Institute
