摘要
艺术品意义的阐释是艺术理论和艺术批评的重要问题,也是当代最富争议性的问题。对作者意图论、读者反应论和文本论三种最具代表性的理论进行批判性反思可知,三种理论殊途同归地属于意义阐释的单因论。而单因论存在着局限性,这些理论最终不得不求助于语境论的倾向,故应当从单因论向发展系统的阐释模式转换。在这一转换中,艺术品的意义不再是固定不变的,而是过程性和生产性的,是主体与对象以及交互主体性的产物,其间充满了协商性和对话性。
The interpretation of the meaning of artistic work is a major and controversial problem in art theory and art criticism.A review of the three most important theories in this regard shows that they fundamentally belong to the single factor theory which is inadequate without the theory of context.For this reason,a systematic interpretation theory would be viable.In this sense,the meaning of artistic works is changeable rather than immutable;it is the product of interaction between subjects and objects or the product of inter-subjectivity.
出处
《东南大学学报（哲学社会科学版）》
CSSCI
北大核心
2014年第4期81-86,135,共6页
Journal of Southeast University(Philosophy and Social Science)
