摘要
文章以唱片为主体史料建构有声音乐史,考订1960~1980年代台湾四海唱片公司出版的50余张艺术类唱片。并援用"中国性"概念,诠译这些唱片的整体意义与深层脉络。
The article aims at an acoustic music history with records as main sources, i. e. 50 or so art records released during 1960 s and 1980 s by the Taiwan Residents Four Seas(Sihai) Records. The concept Chineseness is employed to interpret the holistic significance and deeper context of these records.
出处
《音乐艺术（上海音乐学院学报）》
CSSCI
北大核心
2014年第2期17-35,4,共20页
Art of Music(Journal of the Shanghai Conservatory of Music)
基金
上海高校音乐人类学E-研究院建设计划项目:e05011
