摘要
嵇康人生美学所推崇的审美诉求和审美境域是"本真"生存。"本真"生存来自于自由洒脱、自然任心,所谓自然任心,即自然而然、任其自然,其美学意义表征着对现实世界与"名教"的超越,对自我种种欲望的超越,实质上则意味着一种超尘绝俗、一往不复的自由精神。在此意义上,淡泊、恬淡、自然、"本真"生存则成为嵇康美学审美诉求的内在逻辑,但这种"本真"生存并非认识论意义上的"本真"生存,即不是通过认识必然和改造客观世界而有的"本真"生存,而是一种诉诸于一己心灵体验的"本真"生存,可以称之为存在论的"本真"生存,这种"本真"生存之境是嵇康审美诉求的最终归宿。
Ji kang life aesthetics of aesthetic appeal and aesthetic realm is'authenticity'.'Authenticity'survive from the free and easy,natural heart,the so-called natural heart,namely,natural,nature,its aesthetic meaning representation to real world and beyond 'the crime',to the transcendence of self desires,essentially means a kind of super dust,spoken of but never one to cease to free spirit.In this sense,indifferent,calm,natural,'authenticity'survival becomes the inherent logic of ji kang aesthetics aesthetic appeal,but this kind of'authenticity'survival is not epistemology in the sense of'authenticity'survival,that is not through understanding and transforming the objective world and inevitably some'authenticity'survival,but an appeal to 'authenticity'survival of the experience of the own heart can call it'natural'ontological existence,the'authenticity'survival is the ultimate end-result of ji kang's aesthetic appeal.
出处
《青海师范大学学报（哲学社会科学版）》
2014年第6期93-98,共6页
Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)
基金
国家社科规划基金项目<中国古代环境美学专题研究>(13AZD029)
关键词
嵇康人生美学
任性
淡泊
任自然
本真生存
Ji kang aesthetics
wayward life
indifferent
as a natural
real existence
