摘要
本文对曲学史上的重要术语“务头”提出了新的看法。首先 ,“务头”的语源是禅宗术语“悟头”。“悟头”与“务头”都具有法门、技巧、谜语、隐语的意义 ,而且有二者互通的用例。其次 ,“务头”没有固定的格式或模式 ,它的基本原则 ,是揭示度曲与歌唱的双向互动关系。最后 ,曲中“务头” ,是歌唱家容易唱出“转音”效果之处 ,即使用反切的唱法 ,将一字中声与声之间 ,一句中前后两字之间 ,一曲中前后两句之间的转折过渡唱得婉转悠扬。其中 ,一字中唱出头、腹、尾音 。
Here,the author has a new explanation for'Wutor',an important term in the history of theatrical study. First,the etymology of 'Wutou'can be traced to 'Wutou',a term in Zen Buddhist philosophy. These two terms are same in pronunciation,but different in morphology. They are all meant by 'tactics','technique','enigma','puns'and sometimes they are used without difference. Secondly,'Wutou'has no formula or mode,it only shows the interactive relationshia between musical display and singing. Finally,the 'Wutou'in a song indicates the place one can sing with much fluency and attractive sound by way of a smooth transition from one sound to another. Meanwhile,it is the most critical technique to sing out all the sounds of a word properly and naturally.
出处
《文学遗产》
CSSCI
北大核心
2004年第4期97-107,共11页
关键词
“务头”
古代戏曲
“悟头”
转音
Wutou,Wutou,singing,interactive relationship,transition of sounds,pronouncing with the consonant of a word and the vowel of another in Chinese
