摘要
本文主要通过对施蛰存小说集《梅雨之夕》的讨论，分别针对其小说中的叙事角度问题、问句问题、中西两种话语交错所构成的叙事动力问题进行了探讨，作者认为施蛰存对西方诗学的运用，尤其是在继承了中国传统题材的小说中的运用，在一定程度上消解了对中国传统的追求。现代文学中的“新感觉”正是在这一背景下建立起来的。
This paper discusses Shi Zhecun's three perspectives, which namely are narrative points of view, its use of questions, and the narrative impetus generated by the overlapping of both Chinese and Western discourses. The author believes that his employment of Western poetics, especially in handling novels that carry on traditional Chinese themes, to a certain extent, deconstructs traditional Chinese practice. It is under such employment that a new sensibility emerges in Modern Chinese literature.
出处
《中国比较文学》
CSSCI
2004年第3期122-139,共18页
Comparative Literature in China
关键词
施蛰存
小说
叙述方式
艺术风格
审美意识
Shi Zhecun
first-person narrative
discourse
traditional aspects
new sense
