摘要
本文借助女性主义批评的“双性同体”这一概念，用来喻指原文作者与译者的新型关系。在回顾了原作者和译者间关系演变过程后，指出传统的基于“忠实”观念指导下的原作者／译者的关系不可避免地被新的关系所替代，但以新的学科研究范式指导重铸后的作者／译者的关系亦有其不合理之处。只有提倡“双性同体”的作者／译者新关系才能在两者之间寻求最佳平衡，译者的主体性才能得到真正的发挥。
A borrowed concept of “androgyny” from feminists' criticism is employed here as a trope to refer to a new type of relations between authors and translators. After a review of its evolvement, it accordingly indicates that an inevitable shift of relations between authors and translators is destined to occur. To advocate “androgyny” between authors and translators seems a better means to maintain a balance between those two poles and further to bring translators' subjectivity into a full play.
出处
《中国比较文学》
CSSCI
2004年第3期163-175,共13页
Comparative Literature in China
