摘要
从 2 0世纪 4 0年代的延安文学到解放后的十七年文学 ,集体主义始终是左右作家创作的主导思想。不仅人物塑造要工农兵化 ,而且作家主体也需集体化 ,任何打有个体印痕的私人话语都在工农、人民等集体概念改造、消融下趋于式微 ,“谁在说话”、“说什么话”的政治立场成为衡量文学作品的唯一标准。
In both the Yan’an literature in the 1940s and the literature of the “seventeen years” after liberation, collectivism was a dominant thought that governed the writing of the authors. Not only did the characters created have to identify with the workers, the farmers and the soldiers, but the writers had to identify themselves with the collective. Under the influence of such collective ideology that the workers, peasants, soldiers and the populace are the king, anything individual tended to disappear. “Who speaks” and “what to say” were a matter of political standpoint and became the single criterion to evaluate literary works.
出处
《上海交通大学学报（哲学社会科学版）》
2004年第4期60-65,共6页
Journal of Shanghai Jiao tong University(Philosophy and Social Sciences)
