审美人类学的形成及其在中国的现状与出路被引量：20

The Formation of Aesthetic Anthropology, Its Status Quo in China, and Its Way Out

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摘要审美人类学是美学与人类学跨学科整合的一门新型的复合性交叉学科。它对美学与人类学各自的发展是极有价值的。虽然它是现代性学科分化的结果 ,带有现代学科的特征 ,但是在 2 0世纪 70年代以来的审美人类学研究逐步形成了解构西方现代美学传统的另一种美学形态。审美人类学从 2 0世纪 90年代开始在中国发展 ,取得明显的成就 ,同时还应当在理论建构、资源整合、研究意识与研究方式等方面加强研究。 A new interdisciplinary subject integrating aesthetics and anthropology, aesthetic anthropology is of great value to the separate development of aesthetics and anthropology. Although it results from the differentiation of subjects in modernity and has the characteristics of modern subjects, studies on aesthetic anthropology since 1970s have gradually led to another aesthetic form deconstructing the western modern aesthetic tradition. Aesthetic anthropology began to develop in 1990s in China and remarkable achievements have been made ever since, but it still needs reinforcement in the reconstruction of theories, the integration of resources, the consciousness of research, and the methods of study in order to promote the construction of Chinese aesthetic anthropology.

作者冯宪光傅其林

机构地区四川大学中文系

出处《广西民族学院学报（哲学社会科学版）》 CSSCI 北大核心 2004年第5期26-35,共10页 Journal of Guangxi University For Nationalities(Philosophy and Social Science Edition)

关键词审美人类学意义现状出路 aesthetic anthropology significance status quo way out

分类号 C912.4 [经济管理] B83-0 [哲学宗教—美学]

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