摘要
在明嘉靖“以曲为本位”的戏曲理论体系的背景下 ,徐渭对曲白科介这些戏曲形态因素 ,都能超乎前人在理论上加以阐述 ,在创作上大胆实践 ,显示了他虽不成熟却极富启示意义的戏剧形态观。
Under the background of the theoretical system of the Chinese opera in the Jiajin period of the Ming dynasty, which regards the singing opera was regarded as the standard, Xu wei was able to surpass his precursors to elaborate the elemcnts of chrese opera concept theorotially which includs the spoken parts, werses, actons.And he ever put them into practice boldly.All of these shows his though unripe but very instructive Chinese opera concepts.
出处
《福建师范大学学报（哲学社会科学版）》
北大核心
2004年第5期70-75,共6页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
关键词
徐渭
戏剧形态
曲
白
科介
XuWei
Chinese opera concept
opera
spoken parts
actions
