摘要
温庭筠擅用"禽鱼草木"之类自然的景色意象,创构出窈深幽约的词境。温词景色意象的创造特性在于:首先,以容观态度描摩旖旎动人的春天景致,使意象中充满绮丽的色彩美感;其次,善用从傍晚到拂晓的夜景衬托闺怨,增添意象的朦胧美感和凄恻幽约的特质;复次,常常于具象和抽象的巧妙转换之间创造意象,这也使温词某些景色意象富有空灵之美。
Wen Tingyun was accomplished in creating a deep and serene Ci-poetry circumstance using the scenes and images such as 'bird ,fish ,grass, tree' from the nature. Thus, the investigation of the creative character of the scenes and images of the Ci-poetry of Wen Tingyun is related with the awareness of the graceful and restrained beauty of the Ci-poetry. This paper discusses these through concrete Ci-poetry selections, and traces the origin and cause of the scenes and imagoes of the Ci-poetry of Wen Tingyun from the aspects of the metaphor tradition of chinese poetry and the hidden bitterness and pitiful beauty of the poetry in the later Tang dynasty.
出处
《南开学报(哲学社会科学版)》
CSSCI
北大核心
2004年第6期17-23,共7页
Nankai Journal:Philosophy,Literature and Social Science Edition
关键词
春女善怀
绮美意象
朦胧美感
凄恻幽约的特质
空灵之美
词“别是一家”
Young Girl Have a Reminiscent Mood
Gorgeous Image
Vague Beauty
The Character of Pitiful Sorrow and Hidden Bitterness
Vacant Beauty
Anotner Style