摘要
新感觉派作家和张爱玲把目光对准了都市生活,两者都有其浓厚的都市情怀,而这种都市情怀的落脚点即是上海,他们运用各种表现技巧和艺术手法使上海变得鲜活灵动起来。新感觉派作家们表现出他们对都市病态人性和生活的批判与伤感,而张爱玲眼里的上海是个灰暗、阴郁的人性沦丧地。张爱玲描写上海多是写上海的街道、公馆等比较琐细的小地方,这就从新感觉派作家描写的灯红酒绿的舞厅、酒吧生活转移到每日每时发生的平凡而有质感的家庭这个都市细胞里面,是世俗人共同过着的生活,是平凡的人生。新感觉派作家和张爱玲让上海(都市)作为一个全面复杂多层次的审美对象出现,利用他们手中的笔和他们的天赋才情将都市真实的面貌还原出来。
Both new sense school writers and Zhang Ailing focused on city life. They both had thick city passion that went to Shanghai. By using various writing techniques and artistic methods, they made Shanghai fresh and lively. New sense school writers show their criticism and sentimental feeling concerning unhealthy human nature and city life while in Zhang Ailing' s eyes, Shanghai was a dark and gloomy place that can make people lose their personality. Zhang Ailing described mostly the small places such as Shanghai' s streets and houses. This made new sense school writers' description changed from dancing halls and bars to simple family, which was cell of the city. That life is the life ordinary people live and it is simple. New sense school writers and Zhang Ailing made Shanghai a comprehensive, complicated and multi-level object of aesthetics. Their pen, gift and passion revealed the true face of this city to us.
出处
《山东理工大学学报（社会科学版）》
2004年第6期30-33,共4页
Journal of Shandong University of Technology（Social Sciences Edition）
关键词
都市
人性
文化形态
新感觉派
张爱玲
city
human nature
cultural pattern
new sense school
Zhang Ailing
