摘要
"务头"是古代戏曲理论研究中的一个疑难问题,明清以来说法不一。"务头"情况很复杂,它不具有单一性特点,也并非所有元曲曲调都讲务头。务头首先与曲辞四声声调中上声字、去声字及阳平声字的使用关系密切;其次,从曲调声腔上看,多在揭起其音或宛转其调处。务头在曲调中的位置并不固定,或句首、或句中、或句末。其表现形式有词语型、对句型及单句型等多种情况。
Wu Tou the highlight of the tone in traditional Chinese opera, has long been a hard question in the theory study of traditional Chinese opera. Since Ming dynasty people have different about it. The author of this article thinks that Wu Tou is complicated and it is not unitary. Firstly, it does not appear in all operas. Secondly it is closely related with the use of word with four tones. From a melody's point of view it serves to raise the tone. Lastiy the position it appears is not fixed and it can appear either at the beginning, in the middle or at the enh.
出处
《内蒙古大学学报（哲学社会科学版）》
CSSCI
北大核心
2005年第1期48-51,共4页
Journal of Inner Mongolia University(Philosophy and Social Sciences)
