摘要
中国诗歌的传统题材、“意象叠加”的艺术境界、“缘情说”的诗学理念、“兴”的创作手法、“哲理入诗”的审美范式,甚至中国传统哲学的理论观点和汉诗的句式结构,在二十世纪几代美国诗人的创作中都得到了程度不同的体现。对美国诗歌创作实践产生了整体性影响。
This thesis, in terms of interculturality , intends to demonstrate the facts, through brief analyses on some certain eases, that the aesthetic paradigm of Chinese traditional poetry has evoked overall influential effects on the practice of American poetic composition in the twentieth century, and concludes that the traditional subjects of Chinese poetry, the artistic conception of accumulation of images ,the affection-oriented idea of Chinese traditional of accumulation of images, the affection-oriented idea of Chinese traditional poetics, the creative device of poetical xing(association),and the adoptionof philosophical thoughts into poetry, are more or less embodied in the corpus of American twentieth-century poets generation after generation.
出处
《云梦学刊》
2005年第1期96-99,共4页
Journal of Yunmeng
关键词
中国诗歌
美国诗歌
审美范式
文化间性
Chinese poetry
American poetry
aesthetic paradigm
interculturality
