摘要
审美制度概念的提出标志着人类学与美学尤其是与马克思主义美学的深层整合 ,其基本理论内涵是文化体系中的规则与禁忌在现实生活中活化为各种具体形态。弄文屯黑衣壮审美制度正处于历史转折的关键时期 ,复杂的权力结构和现实社会关系在一定程度上打破了该社区族群传统文化的原始和谐状态。土地公的激情、老歌师的沉默和土司的追述 ,都是弄文屯黑衣壮现实生活的真切体验。在传统伦理要求与现代社会生活的交汇中 ,黑衣壮审美制度不断进行自我调整 ,演绎着日常生活的具体形态。
The concept of esthetic system was brought forth to mark the profound integration of anthropology and esthetics, and the Marxist esthetics in particular. Its basic theory implies that the regulations and taboos in the cultural system are activated into specific forms of culture in real life.The esthetic system of the Black-Clothes Zhuang in Guangxi's Longwen Village is at a turning point of history;the complicated power structure and the reality of social relations have broken to a certain extent the primitive and harmonious situation of the traditional clan culture. The enthusiasm for the God of Earth, the silence of the folk singers and the recount of the chieftains will be responsible for the real development of history on the basis of the life experience of the Black-Clothes Zhuangs. In the encounter between traditional ethics and modern social life, the Black-Clothes Zhuang esthetic system is constantly making self-adjustment, manifesting itself in the specific forms of daily life.
出处
《广西师范大学学报（哲学社会科学版）》
2004年第4期69-75,共7页
Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)
基金
广西新世纪教改工程 A类项目 :"中文学科为民族地区社会文化发展服务的途径和模式"
关键词
审美制度
黑衣壮
弄文屯
权力
esthetic system
Black-Clothes Zhuang
Long Wen Village
power
