摘要
以中国入陆为范围,对20世纪的中国古代建筑研究进行了整体简析,认为其中出现了三次高潮与三种不同的路向,提出研究中存在的不足之处。同时,将古建的存在状态划分为三个层次,即作为史料的、作为涵义性的、作为过程与体验中的。将中国古代建筑、传统建筑、古典建筑三个范畴进行了意义和价值的区分,最后提出认识中国古典建筑本真的以人学为底蕴,在关系中阐释的途径。
This essay analyses the research of Chinese ancient architecture in mainland in the 20th century, deems that there are three upsurges and three different directions of research in this period and proposes problems existing in the research. Meanwhile, this essay divides the Chinese ancient architecture into three levels of historical materials, meanings and process and illustrates the different signidiciance and value of Chinese ancient architecture, traditional architecture and classical architecture. In the end, Essence of Chinese classical architecture based on the Humanities and Hermeneutics is concluded.
出处
《华中建筑》
2003年第1期18-21,共4页
Huazhong Architecture
