摘要
分析宗白华美学体系建构中的跨文化比较的意识和方法。宗白华尽管很少直接言及这一方法本身 ,但实际运用却相当自觉 ;更重要的是宗白华对平等对话立场的坚持。这一立场既不是“西方中心主义”的 ,也不是“东方主义”的 ,而是中西不同文化范围之间平等的相互阐释和发明。宗白华跨文化比较的美学目标是 ,在确认中西不同文化范围内美学特殊性的前提下 ,寻求二者的融合会通。
The paper has made a deaper analysis about the constructing of Zong Baihua's aesthetics. System from the perspective of cross-cultural comparative consciousness and its method. The author holds that although Zong Baihua seldom mentioned comparative methods in his works,he actually applied them with considerable consciousness. What matters most to Zong Baihua is his strict adherence to the position of equality and dialogue in his writing. This stand is neither centralized by the occidentalism”nor by “the orientalism,” but on the basis of equal and mutual interpretations and discoveries within the scope of different sino-western cultures. The cross-cultural comparative aesthetic consciousness revealed in Zong Baihua's works is that he tried to seek the link and the mixture of the two different cultures on the premise that the confirmation of the particularities within the scope of different sino-western cultures be achiveved.
出处
《广东教育学院学报》
2000年第4期50-54,66,共6页
Journal of Guangdong Education Institute
