摘要
中国音乐历史上曾经风靡一时的清商三调 ,由于相去久远 ,有关它乐律方面的一些情况历史文献记载甚略 ,疑点较多 ,文章以学术上有争议的“同均三宫”为切入点 。
Qing-shang three modes were wide used in Chinese history, since it happened a long time ago, only few and curt words on it in the historical literature with quite doubtful points. The paper taken the Tongyun sangong as a subject, to explore it possibilities and related problems.
出处
《黄钟（武汉音乐学院学报）》
北大核心
2001年第4期3-9,共7页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
同均三官
三调
三律系统
五度链
三度链
律均
官均
乐律学
Tongyun sangong (three Chinese traditional gong-modes sharing one structure of heptachord)
Sandiao (three Tunes)
Three temperaments system
fifth chain
third chain
Lü yun temperament range
gong rang
musical temperament
