摘要
文章从苦音记谱问题切入 ,首先指出了调式与记谱关系上的一种绝对化的认识 ,然后重点剖析了苦音调式辨别的多数论、习惯论 ,揭示了这类观点、方法的盲目性的本质 ,表明了在调式辨别和宫调研究中增强理性自觉。
The paper taken kuyin notation as a subject, pointed out there was an absolutization knowledge to the relationship between the modes and the notation, furthermore, it analyze some misunderstanding on kuyin modes, expressed the necessary to pay attention to the logic and the sensitive way to distinguish the modes and study the Gong-modes.
出处
《黄钟（武汉音乐学院学报）》
北大核心
2001年第4期10-17,共8页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
苦音
记谱
调式
官调
唱名
kuyin
notation
modes
Gong-mode
solmization
