摘要
20世纪后25年的中国和加拿大文学作品都不同程度地存在后现代主义倾向和成分.这不仅表现在作品主题和语言风格上,还表现在叙述视角、价值观念、心理经验和感觉方式上.作品的共同特点是注重写作形式和文字游戏,淡化情节,缺乏逻辑关系以及确定的时间和地点.
The last quarter of the 20 century saw in both Chinese and Canadian novels postmodern elements. These elements are shown not only in theme and style, but also in narrative perspective, moral values and mental perception. Among other things in common, these works emphasize form and word game, but deliberately stay from narration, logic and definite time and place.
出处
《外语与外语教学》
北大核心
2005年第5期35-38,共4页
Foreign Languages and Their Teaching
