摘要
亡灵叙事是一种以亡者的灵魂为视角展开文本叙述的叙事方式。阎连科早期的小说创作集中地运用 了这一独特的叙事技巧。亡灵叙事在小说叙事学层面具有开创性意义:在叙述策略上超越了传统作品的固定模式, 实现了叙事的独立,使作家在行文时拥有了更加宏阔的视野和更加充分的叙述自由;在美学方面,陌生化的叙事策 略使文本在独立的过程中产生了审美意义上的震惊;在彰显文学的存在之思方面,深化了文本写作的内在旨趣,有 效地敞开了作家精神归乡的路途。
Dead narration is a kind of narrating pattern which according to visual angle of the dead ghost. Yan Lianke used this kind of dead Narration technique in his early novels . It is a kind of fresh and special narrative pattern and this kind of narrative pattern creates a new field in the narratology. This pattern transcends the stereotype mode of the traditional works, realizes the independence of narration and makes the writer have more free space in the course of creating; in the aspect of aestheticism.the unfamiliar strategy of narrating made an unbelievable result; in terms of literature itself,this kind of narrative strategy strengthened the inner interest of the text writing and opens up a beautiful nostalgia way of the writer.
出处
《中州大学学报》
2005年第1期40-42,共3页
Journal of Zhongzhou University
关键词
亡灵叙事
阎连科
叙事学
dead narration
Yan Lianke
narratology
