摘要
在中国传统文化中,生命精神被视为宇宙万物之本质,而西方现代派艺术家则寻求艺术作品中的生命精神,二者的同构性存在于共同的美学基础上和情感构造中。
In Chinese traditional culture, life spirit is regarded as essence of the universe. Western modernist also pursue life spirit in their works. Similarity of intrinsic structure exists in aesthetic basis and emotional structure of the two arts.
出处
《芜湖职业技术学院学报》
2003年第1期37-39,共3页
Journal of Wuhu Institute of Technology
