摘要
本文试用考古学的类型学方法,从音乐性能角度出发,对出土磬和编磬划分出“不规则形”、“钝三角形”、“倨句形”三种类型。由此认识磬和编磬的产生、演变有“悬石为乐”的音高无意识阶段、钝三角形的音高可设计阶段和倨句形的特磬编磬阶段。三个阶段的历史时期大致为新石器时代、夏商西周时期和春秋战国时期。
With the typology method of archaeology and from the viewpoint of musical capability, the article assorted qing (a kind of Chinese instrument made of stone), and set-qing into three types: erose ones, obtuse triangular ones and juju (curve) shapes. The writer believed that the evolution of the qing had been in three stages: a period of no sense of the pitch, which just hanging any kind stone to play, the designed pitch one with obtuse triangular shapes, and arranging set-qing period with juju (curve) shapes. Those three stages were around in the Neolithic Age, Xia-Shang-Western Zhou Dynasties, the Spring and Autumn and Warring States periods.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2005年第3期61-68,共8页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
音乐考古
类型学
磬
编磬
倨句形
musical archaeology, typology, qing (a kind of Chinese instrument made of stone), set-qing, juju (curve)shape
