摘要
本文通过对《乐府群玉》所收曲家生平的翔实考辨,揭示出曲家与杭州一地在散曲上的因缘关系,并阐释此与当时杭州的经济发展、地理环境、历史文化背景、文人心态等的关系,复现元中后期散曲创作的氛围,以利于进一步阐述对《乐府群玉》的认识。
This paper tries to make an archeological investigation of the music players in Yue Fu Qun Yu , revealing the causal relationship of the players to Hangzhou by which the economic development, the geography, the historical and cultural background, and the psychology of the literati are interpreted. The representation of the atmosphere of Sanqu writing in this late Middle Yuan period is very useful for further interpretations of Yue Fu Qun Yu .
出处
《文艺研究》
CSSCI
北大核心
2005年第8期73-80,共8页
Literature & Art Studies
