摘要
现代小品理论强调小品笔法和章法的即兴随意、轻松自由、散漫无序、不拘格套,追求一种无笔法之“笔法”,无章法之“章法”。一切与传统、正统“载道”散文唱反调,将崇高凡庸化、整体零碎化、严肃轻松化。实质上是追求由文体的自由,表达思想的自由,自有积极意义,但“解构”和“颠覆”的消极一面亦不可忽视。
The theories of contemporary essays stress the improvisation,irregularity,unrestraint,disorder and unconventionality in terms of writing techniques and art.Or rather,they pursue“no style”and“no art.”They go against the traditional essays which emphasize their moral teachings.They convert sublimity into commonplace,whole into fragments,and seriousness into lightness.The essence of this situation reflects the shift from the pursuit of freedom in style to the pursuit of thoughts. There is,naturally,some positive significance in this turn;meanwhile,the negative aspects shown in deconstruction and subversion cannot be neglected.
出处
《汕头大学学报（人文社会科学版）》
2005年第4期32-37,共6页
Journal of Shantou University(Humanities and Social Sciences Edition)
关键词
小品
笔法
章法
笔调
自由
essay
writing technique
writing art
writing tone
freedom
