摘要
从东汉中后期至三国前期,文学的文本载体处于简纸并用与转换阶段。纸本作为一种新兴传播工具,起初只是一种非正式的文本形式,与一些世俗化的娱乐性文本关系更为密切。东汉的崩溃,加速了简纸替换。纸本广阔的写作空间与低廉的制作成本,改变了简册写作的思维方式,缩短了简册写作的构思过程,扩大了文本的容量,使得抒情达意更为直接与自由。纸写文本的正宗地位的确立、文本传播方式的革新,直接展示了文学超越时空的影响力,提升了文学的价值,促进了当时书信体文学的发达,增强了文学的抒情性。文本载体形式的改变引起文体的变化,文体论研究日趋细密,文人知识量的扩大带来用典之风的流行。随着纸本地位的上升,一些娱乐性的世俗文本地位得以提升,而文本形式的转换也导致了传统文本流传的失序。
The middle and late Eastern Han Dynasty through to the early Three Kingdoms period witnessed a transformational stage when bamboo/wood slips and paper were both used as the medium of literary writing.Paper as a new medium of transmission started as an informal medium closely related to popular culture and entertainment.The fall of the Eastern Han Dynasty sped up the replacement of bamboo/wood slips by paper.By providing more space for writing at a lower cost,paper made it possible for writers to try new modes of thought that were different from when they had to write on bamboo/wood slips: they could spend less time organizing before writing,the texts could be much more inclusive,and expression became more direct and free.The establishment of paper as the major medium of writing and the change of transmission methods directly resulted in a display of the power of literature that surpassed time and space.Literature became more influential and expressive,and the epistolary literary style became popular.The new textual medium also gave rise to stylistic changes.Stylistic studies became more sophisticated,and quotations became common in writing as the literati had more access to knowledge.As paper books gained more importance,popular texts for entertainment were raised to a higher position.But on the other hand,the change of medium also caused disarray in the passing down of traditional texts.
出处
《中国社会科学》
CSSCI
北大核心
2005年第5期153-163,共11页
Social Sciences in China
