摘要
《礼记·乐记》及汉唐乐志包含祖先崇拜观念及郊庙祭仪,同时也是诗学观念的载体和历代郊庙歌词的总汇。郊庙歌词体现在祭祀活动中,是上古时代言灵崇拜的遗留,具有祈禳与祝祷功能。本文将历代郊庙乐章的创制形态分为自制雅乐、以古入雅、以俗入雅及以胡入雅四种类型。郊庙祭歌是诗歌与乐舞的综合,同时依据阴阳五行原则所进行的新体尝试具有一定的文学史意义。
Liji-yueji（《礼记·乐记》） and yuezhi（乐志） （the musical document）from Han to Tang Dynasties are the aggregation of the temple ritual and odes and the poetic conception. The temple odes which in the ritual are the bequeathment of the language spirits worships. This article discusses the ways the temple odes produce which is through the use of ancient odes and popular songs and minority song and self-made poetry. The ancestor worship feeling is the core to the temple rituals. The morphology of the religious poetics should be paid more attention.
出处
《华中师范大学学报（人文社会科学版）》
CSSCI
北大核心
2005年第5期94-100,共7页
Journal of Central China Normal University:Humanities and Social Sciences
基金
国家社会科学基金项目"宗教伦理与中国上古祭歌形态研究"(03CZW005)
关键词
汉唐乐志
郊庙祭仪
郊庙祭歌形态
仪式化乐歌
odes musical document from Han to Tang Dynasties
the temple
cult
morphology of temple
