摘要
文学思想有广狭之分,这里是在广义的意义上使用的,指文学中表达的思想。沈从文新的道家思想形成了悲哀的审美观念,具体表现为“静”的意境和美丽的忧伤情调。现代性是在主观的基础上发展的,沈从文通过病的隐喻指出都市文明对生命和人性的摧残和扼杀。面对新的思维方式,沈从文固守“思”的观念,同时也在“信”的压力下作出了某种调整。
The author holds that the Taoist sentiment in SHEN Cong-wen＇s novels has formed a melancholy that is revealed in his obsession with the stationary and the sentimental beauty. His metaphor of human sickness for the whole urban civilization as a detrimental agent to the humanity is particularly representative of his preference for the ＂meditative＂ and ＂trustworthy＂.
出处
《兰州大学学报（社会科学版）》
CSSCI
北大核心
2005年第5期26-31,共6页
Journal of Lanzhou University（Social Sciences）
基金
国家社科基金项目(02BZW042)资助.
关键词
沈从文
文学思想
美丽的忧伤
病
思与信
SHEN Cong-wen
literary aesthetics
sentimental beauty
sickness
meditative and trustworthy
