摘要
汉语的辨义基础是“形—义关系”,因而字形状物是汉语的意义生产、表述的突出特征。汉语文学能够在字形的展示中提供关于物质世界的感性生命经验,同时字形状物也造成了汉语文学超验意义和诵读意义的不足,所以,汉语文学力图把“意境”和“音韵”注入感物、咏物之中。在技术物品代码主宰人类的理解和交流的现代文化中,汉语字形状物的文学性特点对于恢复人对物质世界的感性生命经验具有独特的功效。
The base of the dialectic meaning for Chinese is a kind of relationship between Grapheme and Meaning, so the simulation of objects by graphemes is the distinct characteristic of the production and expression of meanings in Chinese language. Chinese literature can offer the geistic life experience about the material world in the exhibition of graphemes of Chinese characters. And at the same time, that simulation results in the lack of transcendental and declamatory meanings. That is also the reason for which Chinese literature tries to infuse “realm” and “melopoeia” into the recept and intonement of the world. In today＇s modern culture where technical codes dominate the understanding and communication between we human beings, the literal characteristic of the simulation of objects by graphemes has a special efficacy on the renewal of human＇s geistic life experience about thereal world.
出处
《武汉大学学报（人文科学版）》
CSSCI
北大核心
2005年第5期580-584,共5页
Wuhan University Journal (Humanity Sciences)
关键词
汉语文学
字形状物
诵读性意义
Chinese literature
the simulation of objects by graphemes
declamatory meaning
