摘要
阎连科在对河洛故土耙耧山乡的守望与书写中,塑造了“贤妻”“良母”式的女性形象,既寄寓着作家的女性崇拜心理,又有着鲜明的河洛理学文化意蕴。耙耧女性退守于婚姻家庭,在爱的舞台上独自悲壮地表演,传达出的是浓厚的传统伦理色彩。
In his novel “Palou Stories”, in observing and describing his native land, a mountainous Palou region, YAN Lian-ke created the female images of clever wives and good mothers where it implies not only the writer＇ s worship of the rural females but also the bright ethics of Heluo regional cultural richness. The females of Palou area withdraw to marriage and family life and perform independently, heroically and stirringly, which convey the thick traditional ethical features.
出处
《洛阳大学学报》
2005年第3期17-20,共4页
Journal of Luoyang University
关键词
阎连科
女性形象
贤妻良母
河洛理学
YAN Lian-ke
female images
a clever wife and good mother
Heluo Confucian philosophy
