摘要
中国女作家“女性化”创作意识突出表现为“闺阁抒情”和“身体书写”。“闺阁抒情”是“女性化”创作意识的典型表现,它是一种历史的存在,并非整齐划一的图式,而是追求创新,不断完善。而“身体书写”是“女性化”创作意识的新异表现,是对西方女性主义文艺理论的移植,它以身体代言说实现对世界的切入与把握。
Two prominent representations of the feminism consciousness of the Chinese female writers “boudoir writing” and “writing the body”. The former, being a traditional representation in the ancient China. is historically determined but does not necessarily abide by any set paradigms. Rather, originality and self-per-fection are two features of this representation. The latter is an alternative representation being transplanted from the Western feminism. It exploits women＇s body to get access to and describe the world.
出处
《延边大学学报（社会科学版）》
2005年第4期107-111,共5页
Journal of Yanbian University：Social Science Edition
关键词
女性化
创作意识
闺阁抒情
身体书写
Feminization
consciousness
boudoir writing
write the body
