摘要
张岱向被视为晚明(性灵)小品的主要代表作家。但检核历史可以发现,张岱的几乎全部小品都成书于明亡清立后三四十年间,作为小品作家,“晚明张岱”实际上是不存在的,但归根到底,两《梦》在鲁迅深刻指示的“比明亡略早的晚明潇洒小品”和“清初‘悖谬’小品”的两类中,不属于前者而属于后者,代表了小品在明清易代后的崭新动向。
Zhang Dai was usually regarded as an important essayist of 'xingling'(性灵)in the Late Ming Dynasty.But,after referring to the history,one can discover that almost all of his essays were written in thirty or forty years after the fall of the Ming Dynasty.His two major works,Memory of Dreaming in Tao Temple and Seeking Dreams in the Lake of Xizi,one of the remarks of 'an easy grace'(潇洒)and another of the taste of 'paradox',as said Lu Xun,all presented a blending trend of the epochal change from the Ming to the Qing Dynasty.
出处
《文学遗产》
CSSCI
北大核心
2006年第1期116-123,共8页
基金
国家社科基金青年项目(编号04CZW010)成果之一
关键词
张岱
《陶庵梦忆》
《西湖梦寻》
新小品
Zhang Dai(张岱),Memory of Dreaming in Tao Temple(《陶庵梦忆》),Seeking Dreams in the Lake of Xizi(《西湖梦寻》),new essay
