摘要
本文从神话学与神学的运用、非个性化与个性化的语言以及意象性结构与音乐性结构等三个方面对T．S．艾略特的代表作《荒原》和《四个四重奏》进行对照分析,从中进一步了解艾略特皈依宗教前后两个时期在诗歌创作的风格和理念上的变化。
This essay tries to make a contrast of T. S. Eliot＇s two masterpieces The Waste Land and Four Quartets in the following three aspects： 1）the adoption of mythology and theology;2）the depersonalized and personalized language 3）intricate imagery structure and musical structure. The aim of the analysis is to help readers become full aware of what differences they make in Eliot＇s poetic style before and after he espoused Anglo-Catholicism in 1927.
出处
《皖西学院学报》
2005年第6期111-114,共4页
Journal of West Anhui University
基金
安徽省教育厅2005年人文社会科学研究项目(项目号:2005sk206)
关键词
对照
神话学与神学
非个性化与个性化语言
意象结构与音乐结构
contrast
mythology and theology
depersonallzed and personalized language
imagery structure and musical structure
