摘要
在《可以吃的女人》中,作为“男孩”而非“男人”形象出现的邓肯,是男权社会的边缘人和失败者。作者注重男性整体概念之下的个体差异,通过女主角的视角揭示了邓肯的独特性,以及他对于女性解放、建立新的男女关系的积极意义,避免了通过将所有男性树立为敌人而得到女性解放的陷阱。
In Edible Women Duncan Appears in the image of a ＂boy＂, not a ＂man＂, a member of the fringe group and an underdog in a male-chauvinist society. Through the visual angle of the heroine, the author reveals Duncan＇s unique characteristics and his positive attitude toward women＇s emancipation and the establishment of a new relationship between men and women, thereby avoiding the trap whereby to win women＇s emancipation by making an enemy of all men.
出处
《妇女研究论丛》
CSSCI
北大核心
2005年第6期60-64,共5页
Journal of Chinese Women＇s Studies
